In this post, we discuss an important topic for every white label web design and development agency owner: “Embedding audio into a website.” You will learn about the most common methods and use cases for adding the audio functionality, as well as when embedding audio into a website is not the best idea.

Your agency has invested a lot of effort into crafting a website for your small business client. The design is aesthetically pleasing, the photographs are stunning, and the video content is strategically placed. Now, to enhance it further, consider the careful incorporation of sound.

Sound can be a powerful tool to differentiate from competitors, aid in information retention (think of all those catchy brand jingles), and foster an emotional bond with a brand. When used correctly, audio can even boost SEO rankings.

In essence, when used appropriately, audio can significantly enrich a website’s user experience.

Here are several methods for embedding audio into a website:

Common Ways to Embed Audio Into a Website 

#1: Use HTML5

You can manually embed audio into your website using the HTML5 element. When you insert it with the command and source attribute (src), the browser’s default audio settings will apply. However, you can specify how the audio will play, such as setting it to autoplay or muting it by default so that users can decide whether to enable sound.

Example: 

<audio controls autoplay>

  <source src=”my_song.ogg” type=”audio/ogg”>

  <source src=”my_song.mp3″ type=”audio/mpeg”>

</audio>

With audio muted: 

<audio controls autoplay muted>

  <source src=”my_song.ogg” type=”audio/ogg”>

  <source src=”my_song.mp3″ type=”audio/mpeg”>

</audio>

#2: Incorporate JavaScript

When embedding a file into a website without resorting to a widget, we advise you to supplement HTML5 with JavaScript. This language offers more flexibility to ensure the audio seamlessly integrates into the site and behaves as desired.

For instance, it enables the display of play, pause, mute, and other control buttons. Further examples include setting the default to mute but allowing easy access to volume control (highly recommended due to potential distraction from sound), and programming your script to emit specific sounds in reaction to user interactions, such as during a quiz.

Here’s a sample on how to integrate a play button, pause controller, and script into HTML code:

<audio controls id=”audio_controls”>

<source src=”my_song.mp3″ type=”audio/mpeg”>

</audio>

<p>To play or pause music, click the respective buttons.</p>

<button onclick=”play()” type=”button”>Play </button>

<button onclick=”pause()” type=”button”>Pause</button>

<script>

var mySong= document.getElementById(“audio_controls”);

function play() {

mySong.play();

}

function pause() {

mySong.pause();

}

</script>

#3: Audio Hosting

A straightforward way to embed audio into a website is by using an audio hosting site like SoundCloud or Mixcloud. Simply upload the file and obtain an HTML embed code. Copy and paste this code into the webpage’s code or WYSIWYG site editor. This method works with most CMS platforms and website builders.

Common Use Cases for Adding Audio to a Website 

Understanding how to embed audio is one thing, knowing when to do so is another. Past experiences have shown that thoughtlessly added audio can be more of a problem than an enhancement.

However, appropriately integrated audio can significantly enhance user experience, provided it’s added at the right moment. 

Consider the following: Is It absolutely necessary?

Firstly, evaluate the necessity of adding audio to a page. Reflect on its relevance and impact on your page. Does it reinforce the objective or message you’re trying to convey, and does it do so effectively?

Consider the user’s search intent and whether audio will enhance it. For example, if a user is seeking a definition, a brief text block may suffice. Conversely, if they’re investigating how something works, a detailed audio or video clip might be more suitable. 

Analyzing the top-ranking pages on Google for a search term can provide insights. If they’re using audio, you probably should too.

Take Into Account the Browsing Environment

In addition to search intent, consider the likely browsing location and device. Will your site be viewed quietly in an office, or on-the-go via a mobile browser?

This understanding can influence your decision to use sound. Adding sound when users are likely in a quiet environment could be annoying for them and others. 

Similarly, if users are likely to access the audio in a noisy place, like a food court, make sure your sound can compete with background noise. Such contextual understanding can help tailor your audio and ultimately enhance the user experience on your page.

To Wrap Up

The integration of audio can significantly enhance a website’s user experience, differentiate it from competitors, aid in information retention, and foster emotional bonds with a brand. Various methods for embedding audio include using audio hosting sites, manually using HTML5, or incorporating JavaScript for a more flexible and controlled audio experience. 

However, it’s crucial to consider the necessity and relevance of the audio, the user’s search intent, and the likely browsing environment before adding audio. By exercising careful consideration and strategic implementation, audio can become an effective tool in enriching a website’s appeal and functionality.

The post Embedding Audio Into Your Website: Common Methods and Use Cases appeared first on Tas-EMany.

Intelligently incorporated audio can significantly enhance a user’s web browsing experience.

Imagine this: you’re leisurely exploring the Internet with your favorite playlist playing in the background. Suddenly, your peaceful session is disrupted by the unexpected sound from one of the numerous tabs, leaving you frantically searching for the source.

Conversely, you might remember a captivating experience on an interactive website with audio elements that grabbed your attention and held you spellbound.

These two familiar encounters with sound in web design demonstrate how audio components can either positively or negatively influence a visitor’s perception and reception of a website.

Understanding when and where to employ this potent sensory tool is crucial for those intending to leverage it to increase engagement levels. 

In this post, we’ll delve into the intricate balance between beneficial and detrimental auditory stimuli, and how they can be strategically deployed in web design to attain diverse outcomes. 

The Main Advantages of Using Audio on Websites 

Interactivity

One of the most potent methods of incorporating sound into websites is through interactive responses. The most prevalent usage – which most of us encounter daily – is for alerts and notifications.

While these alerts can be adjusted according to your preferences, and many opt to keep notifications muted, the default “new message” alert tone from social media behemoths like Facebook is arguably one of today’s most recognizable digital sounds. Such easily identifiable alerts can elicit immediate reactions in our brains, activating neurochemical reward systems.

These can significantly influence our behavior and the duration we spend on apps and websites.

Likewise, several sites have recently introduced a chat feature for customer service. Often, a window may appear accompanied by an audio alert to inform you that this service is accessible.

It’s crucial to remember that while this can aid users, it can also create an unpleasant distraction if the alert is too intrusive. As such, alerts should be subtle enough to avoid causing disruptions yet noticeable enough to attract attention.

The incorporation of interactive sounds triggered by clicking or cursor movement can offer a more lifelike experience with profound psychological effects. After all, effective entertainment equates to successful engagement. 

Ambient Communication

An increasing number of companies are investing in psychosocial research to gain a deeper understanding of human behavior and how it can be manipulated to encourage longer screen time and increased user engagement.

While most information we consume comes in the form of text, research has shown that Ambient Communication – communicating to users via sound, among other sensory mediums – can also be highly effective.

Although sight is likely our most frequently used sense, our capacity to process intricate information from sound may sometimes be more efficient and intuitive than reading. Depending on the person, they might be a stronger auditory learner as opposed to a visual one, a factor worth considering.

Engagement

When we scour the Internet for a specific product or service, we come with certain anticipations and emotional constructs that we aim to fulfill. Pairing appealing visuals with captivating audios can mentally catapult the user into a deeper, more persuasive experience through sensory engagement.

While the visual appeal of a web page typically first catches our eye, research has indicated that the emotional reaction to sound can be even more influential. Studies have revealed that music can trigger neural pathways that are more directly linked to our memories and emotions.

Creativity and Melody

In today’s world, most individuals discover and listen to music via online streaming services such as Spotify and YouTube. Nonetheless, artists continually seek innovative ways to exhibit their masterpieces in impactful and creative manners.

Art and music frequently enhance each other and can be employed collectively to enrich the audience’s experience. When paired with enticing sounds and animations, art can spring to life to provoke a more emotive experience.

Essential Needs

In our progressively digital society, smartphones and the Internet have become indispensable tools for our everyday lives. While many may regard sound as an unnecessary or ancillary component on websites, it can be utterly vital for those with vision impairments or cognitive difficulties.

Awareness of disabilities and other ethical advancements have prompted many designers to be more inventive. This has led to numerous ways of using sound as a navigational aid in web design for individuals with such limitations. 

Minor Drawbacks of Using Sound on Websites 

While we’ve primarily discussed the advantages of incorporating sound in web design, it’s apparent that there’s an appropriate time and place for it.

Aside from the potentially irritating effect it can have on users, background music is often seen by many as antiquated and even unprofessional. It’s crucial to remember that people have diverse tastes, so what sounds pleasing to you might be disagreeable to someone else.

Sounds can significantly invade our browsing experience if used in an unsuitable context.

Additionally, playing sounds demands more bandwidth, which can lead to websites running slower or causing unforeseen issues. It’s also important to note that not all browsers and devices may be compatible with playing audio on websites.

In the end, there isn’t a straightforward yes or no answer to whether sound should be used on websites. The reality is, it depends on the kind of site you wish to create and how the sound is incorporated.

To lessen any negative responses to sounds or music, it’s always prudent to consider a clear sound off/on option to inform the user they have a choice. Also, ensure to use the most compatible techniques for integrating audio on a website.

To Sum Up

The incorporation of sound in web design can significantly enhance user engagement, provided it is implemented thoughtfully. It can facilitate a more immersive experience, bringing websites to life and extending the reach to users with various learning styles and abilities. 

The use of sound in web design can also evoke emotional responses and create memorable experiences. Furthermore, it serves as an invaluable tool for individuals with vision impairments or cognitive difficulties. 

However, it’s critical to remember the possible drawbacks, such as potential irritation, increased bandwidth requirements, and compatibility issues across different browsers and devices. Therefore, it’s essential to provide users with control over the audio and employ compatible techniques for audio integration. 

Sound in web design is not a one-size-fits-all solution but, when applied appropriately, it can be a powerful tool for enhancing interactivity and engagement.

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The manual way to remove apps from Mac

When you drag applications to the Trash on Mac, this does not remove all the files associated with the app, such as preferences, caches, logs, etc. These files are usually hidden in various folders on your Mac and can take up a lot of disk space over time. To find and delete these files, you have to follow these steps:

1. Open Finder and go to the Applications folder.
2. Locate the app that you want to delete and drag it to the Trash.
3. In the Finder menu, click on Go.
4. Press and hold the Option key and select Library.

5. In the Library folder, look for any folders or files that have the name of the app or its developer. For example, if you want to delete Skype, you might find folders or files named Skype, com.skype.skype, etc. Drag these items to the Trash and empty it again.

Check for applications remaining files in the following folders: 

• ~/Library/Caches
• ~/Library/Preferences
• ~/Library/Application Support
• ~/Library/LaunchAgents
• ~/Library/LaunchDaemons
• ~/Library/PreferencePanes

6. Empty your Trash.
7. Restart your Mac to complete the uninstallation.

As you can see, uninstalling apps manually is a tedious and time-consuming process that requires a lot of attention and care. If you miss any file or folder, you might end up with leftover junk on your Mac that can slow it down or cause errors. That’s why we recommend using third-party tools that can do all the work for you in a few clicks.

Uninstalling programs with App Cleaner & Uninstaller

App Cleaner & Uninstaller is a powerful and easy-to-use app that can help you remove any app from your Mac completely and safely. It scans your Mac for all the apps and their associated files and lets you choose which ones you want to delete. Here’s how to use App Cleaner & Uninstaller to delete apps from Mac:

1. Download and install App Cleaner & Uninstaller from its official website.
2.  Launch the app and wait for it to scan your Mac for all the installed apps and their service files.
3. Select the app that you want to delete from the list on the left side of the window. 
4. Click on Uninstall at the bottom of the window.
5. Confirm the deletion. 

That’s it! The app and all its files will be deleted from your Mac in seconds.

Conclusion

Deleting apps from Mac is not as simple as it seems. You have to make sure you remove all the files associated with the app. Otherwise, you might end up with leftover junk on your Mac that can cause problems. To avoid this, you can either uninstall apps manually by following a series of steps or use a third-party tool like App Cleaner & Uninstaller that can do everything for you in a few clicks.

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Reason 1: Your Mac hard drive is getting full

One of the most common reasons why your Mac is getting slower is that your Mac hard drive is almost full. Your hard drive is where your Mac stores all your files, apps, and system files. When your storage is full, your Mac has less space to perform its tasks, and it has to work harder to find and access the files it needs. This can result in slower boot times, longer app launches, and frequent freezes and crashes.

Solution: Clean up space on your Mac

To speed up a Mac, you need to free up some space on it. Here’s how:

• Delete unnecessary files. Go through your files and folders and delete anything you don’t need anymore, such as old downloads, screenshots, or outdated documents. You can use the Mac built-in Storage Management tool to find and remove large and unused files. To access it, go to System Settings → General → Storage → follow the recommendations. 

• Move files to an external storage device. If you have files that you want to keep but don’t use often, you can move them to an external storage device, such as a USB flash drive or an external hard drive. This way, you can free up some space on your Mac without losing your data.
• Use cloud storage services. Another option is to use cloud storage services, such as iCloud, Dropbox, or Google Drive, to store your files online. This way, you can access your files from any device without taking up space on your Mac. However, be aware that some cloud storage services may charge you a fee for extra storage space or bandwidth.
• Clean up junk files. Caches, applications’ remaining files, duplicates – all these files take up useless space on your Mac, making it work slowly. Use third-party Mac cleaning tools to find and delete those files easily.
• Empty the Trash. Don’t forget to empty the Trash after you delete any files. The Trash still takes up space on your hard drive until you empty it. To do this, right-click on the Trash icon in the Dock and select Empty Trash.

Reason 2: You have too many background processes running on your Mac

Another reason why your Mac might be running slow is that you have too many background processes running. Background processes are tasks or apps that run in the background without you noticing them. They can include system processes, such as Spotlight indexing or Time Machine backups, or third-party processes, such as antivirus software or browser extensions. While some background processes are essential for your Mac’s functionality and security, others may be unnecessary or outdated and consume a lot of memory and CPU resources.

Solution: Quit unused applications 

To fix this problem, you need to quit or disable any background processes that you don’t need or use. There are several ways to do this:

• Use Activity Monitor. Activity Monitor is a built-in app on your Mac that shows you how much memory and CPU each process is using. You can use it to identify and quit any processes that are hogging your resources. Launch Activity Monitor → click on the Memory or CPU tab and sort the processes by descending order. If you see any process that is using more than its fair share of resources, click on it and then click on the X button to quit it.

• Use Force Quit. If an app is not responding or frozen, you can use the Force Quit option. To do this, right-click on the app’s icon in the Dock, hold the Option key on your keyboard, and then click Force Quit. You can also use the keyboard shortcut Command+Option+Esc to force quit the current app.
• Disable startup items.  Startup items are apps or services that automatically launch when you start your Mac. Some of them may be useful, but generally slow down your Mac’s boot time. To disable startup items, go to System Settings → General → Login Items. Select the apps that you don’t want to launch at Mac startup and click on the minus button to remove them.

• Disable browser extensions. Browser extensions are add-ons that enhance your browsing experience by adding extra features or functionality to your browser. However, some extensions may be malicious or poorly coded and cause performance issues or security risks. To disable browser extensions, go to your browser’s settings and look for the extensions or add-ons section. Disable or remove any extension that you don’t need or trust.

Reason 3: Your Mac has a hardware problem

The last reason why your Mac might be running slow is that your Mac has a hardware problem. Hardware problems are issues with the physical components of your Mac, such as the hard drive, the memory, the battery, or the logic board. Hardware problems can cause various symptoms, such as overheating, noise, errors, or crashes. Hardware problems are usually more serious and difficult to fix than software problems, and they may require professional help or replacement.

Solution: Diagnose and repair your hardware

To fix this problem, you need to diagnose and repair your hardware. There are several ways to do this, such as:

• Use Disk Utility, a built-in app on your Mac that can help you check and fix any issues with your hard drive. Open the Applications folder, go to the Utilities folder and launch Disk Utility from there. Select your hard drive from the sidebar and click on First Aid. Click on Run to start the scan and repair process. If Disk Utility finds any errors, it will try to fix them automatically.
• Use Apple Diagnostics – another built-in tool on your Mac that can help you test and identify any hardware issues. To use Apple Diagnostics, restart your Mac and hold the D key on your keyboard until you see a screen with a progress bar. Follow the on-screen instructions to start the test and get the results. 
• Contact Apple Support. If you can’t fix your hardware problem yourself, or if you are not sure what’s wrong with your Mac, you can contact Apple Support to get professional help. They will guide you through some troubleshooting steps or book an appointment for you at an Apple Store or an authorized service provider. 

Conclusion

In this article, we have explained some of the common reasons for a slow Mac and how to fix them. By following these tips, you can improve your Mac’s performance and enjoy a smoother and faster computing experience. 

The post How to Fix a Slow Mac: Common Causes and Solutions appeared first on Tas-EMany.

Whether you’re a hobbyist, an industry professional, or a software developer interested in breaking into the audio industry, understanding how to build a custom audio editing software can be a valuable skill.

Understanding Basic Audio Concepts

Before diving into the world of audio software development, it’s crucial to have a firm grasp of basic audio concepts. Understanding the differences between popular audio formats like WAV, MP3, AAC, and FLAC, as well as the intricacies of codecs such as ALAC or Opus, forms the foundation of your audio programming knowledge.

Furthermore, you must be aware of the fundamental audio editing features. These encompass functionalities like trimming, cropping, fading in and out, adjusting volume, pitch and speed, and applying effects or filters. Familiarize yourself with the role each plays in creating a seamless audio experience.

Lastly, never underestimate the importance of a user-friendly interface in audio software. An application that may have a rich set of features may go underutilized if the interface is not intuitive and easy to navigate.

Setting Up Your Development Environment

Before coding, decide on the most suitable programming language. While C++ is commonly used due to its efficiency and control, Python also offers excellent libraries for audio processing, like Librosa or PyDub. It’s a balance between your programming skill set and the task at hand.

Furthermore, you’ll need a suite of development tools, such as an Integrated Development Environment (IDE), a version control system like Git, and potentially a graphic design tool for the user interface. Notably, you’ll want to leverage audio programming libraries like PortAudio or Sound eXchange (SoX) to handle audio input/output and basic processing.

Designing Your Software’s Architecture

The design phase is crucial. Start by outlining the core functionalities your audio editing software needs. These might include loading and saving audio files, waveform visualization, basic audio manipulation (trimming, cropping), advanced editing (filters, effects), and playback control.

User Interface (UI) design is crucial in this phase. Whether you’re designing for beginners or professionals can significantly affect your layout and complexity. Your code’s structure also plays a significant role, with well-organized modules and classes easing the process of adding new features or fixing bugs later.

Implementing Core Audio Features

With a solid plan and design in place, it’s time to start coding. Start by developing an audio file importer to handle various audio formats. Next, develop audio processing algorithms for tasks like normalization, equalization, and compression. Finally, you’ll need an audio export functionality, allowing users to save their edited files.

Enhancing User Experience

User experience plays a significant role in any software’s success. Implementing features like drag-and-drop functionality for importing audio files can make your software much more user-friendly. Real-time audio visualization (like waveforms or spectral views) and intuitive controls for playback and editing (like sliders, dials, or intuitive keyboard shortcuts) can drastically improve user satisfaction.

Testing and Debugging Your Software

In software development, testing is just as crucial as coding. Unit tests ensure individual components function as expected, while integration tests verify that these components work well together. Debugging techniques, such as logging, breakpoints, or step-throughs, will help identify and resolve issues that arise during testing.

Remember to conduct acceptance testing too—this involves actual users testing the software. Their feedback will provide invaluable insights into how well the software meets its intended use and user experience.

Optimizing Your Audio Editing Software

Optimization ensures that your audio editing software runs smoothly and efficiently. This could involve optimizing your audio processing algorithms for speed, managing memory effectively to prevent leaks or crashes, or adding multi-core support to enable your software to take full advantage of modern CPUs.

Additional Features to Consider

Once you have the basics down, you can start thinking about more advanced features. Effects and filters (like reverb, delay, or EQ filters), multi-track editing, and integration with other tools (like digital audio workstations or streaming platforms) could all significantly enhance your software’s capabilities and appeal.

Packaging and Distribution

Choosing the right licensing model is crucial when releasing your software. Will it be open-source, freeware, or commercial? The answer depends on your goals. You’ll also need to package your software for different operating systems—Windows, MacOS, Linux, and potentially mobile platforms like iOS and Android.

Remember, it’s not enough to build a great software—you’ll also need to market it. Social media, software review websites, or targeted ads can help you reach your potential users.

Conclusion

Building custom audio editing software is a complex, rewarding endeavor. Understanding the basic audio concepts, setting up your development environment, designing and implementing your software, enhancing user experience, testing, debugging, optimizing, and packaging your software for distribution—each step is a critical piece of the puzzle.

As audio content continues to grow in importance, the demand for user-friendly, efficient, and powerful audio editing software will continue to rise. So, whether it’s a personal project or a commercial product, your custom audio editing software could be music to someone’s ears.

The post How to Build a Custom Audio Editing Software appeared first on Tas-EMany.

The price of it all comes at a price. The need to pay a solid monthly fee automatically makes Adobe Audition a program for professionals who are willing to pay for a working tool, and for those who are already subscribed to Creative Cloud.

Adobe Audition 2.0 features a new mixer with minimal delay, the ability to record parameter changes in real time, new tools for audio visualization and editing in the frequency domain. In addition to a complete redesign of the internal mixer engine with instantaneous response to changes, support for ASIO-interface for sound cards has been added (VST-plugins were supported in the previous version) and much more. The ability to monitor inputs in real time by passing the signal through processing circuits and recording parameter changes has also been added. There is closer integration with multi-track mode, with support for recording up to 80 inputs simultaneously.

Adobe Audition 2.0 has a completely redesigned user interface. Toolbars can be anchored in any location and grouped. There is also a preview of saved panel presets that can be quickly recalled. A free set of music backing tracks is available for TV and radio broadcasting. Sound engineers have a complete set of editing, mastering, and restoration tools for phonograms.

Extensive stereo editing capabilities are combined with Spectral Pan and Spectral Phase visualization tools. There are two special modes for finding the fragments you need for editing by ear. An interesting lasso tool allows you to give any shape to the signal, highlighting it on the frequency-time diagram to restore damaged materials. The new effects block allows you to listen to the result of layering multiple effects simultaneously, the new multiband compressor with an algorithm from iZotope allows you to get high professional quality mixes.

Powerful support for audio formats, superb sound quality, tons of features and 128 tracks in multi-channel mode are features that put Audition on par with many big names in audio processing, such as Steinberg Wavelab and Sony SoundForge.

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WaveLab audio editor – Steinberg released in 1995 and there was a time when it was designed to integrate with Cubase, for full audio processing. Nevertheless, the program has a number of specific features that set it apart from other editors of the same class, and since version 4.0 – it is several years ahead of its closest competitor – Sonic Foundry Sound Forge.

The editor’s interface is standard: the menu, the function buttons, the sound wave editing window (mono or stereo), and the effect-processor panel on the right. At the bottom are the signal analyzers. WaveLab supports 6 different analyzers, displaying in real time the characteristics of the input or output signal (the only exception is the “Bit Meter” indicator, which informs about the bit depth of the internal signal processing).

The “Master Section” panel plays an important role in the program, as you can understand from the name, it is designed for mastering your composition. In “Effects” you can select up to 8 VST or DirectX effects, in “Master” you can set the level of output signal, in “Dithering” – algorithm of bit-rate smoothing after internal signal processing. The changes will be made after pressing the “Render” button. All this distinguishes WaveLab from other editors and is more like working with studio equipment.

The same can be said about the built-in effects-all of them try to some extent to repeat the controls of the hardware effect processors (knobs, toggle switches, etc.). This approach is likely to be convenient and familiar to professionals, but a more flexible interface could have been implemented within a computer application.

If the interface of WaveLab is controversial, the functionality is probably indisputable. It supports digital audio up to 32 bit / 384 KHz, importing all common audio formats: WAV (PCM), MP3, OGG, AU, AIFF, WMA and the soundtracks of video files. Steinberg is especially proud of the OSQ (Original Sound Quality) format, which compresses digital sound without any loss in quality. WaveLab, like Adobe Audition, offers the user two basic digital sound editing capabilities: a “simple” processing of a mono or stereo recording (“Wave”) and a multitrack editor (“Audio Montage”). The stereo recording editing mode is standard for programs of such class.

Audio Montage is designed in its turn for multitrack editing of sound, mixing of records, creating multichannel compositions of DVD-Audio standard.

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Before you use Ocenaudio, you might have some questions, such as Ocenaudio is safe, Ocenaudio is better than Audacity, and the free Ocenaudio software, and so on. With that in mind, this post would like to give you an in-depth Ocenaudio Review. You can find out all the useful information about this audio editor. In addition, some great alternatives to Ocenaudio are recommended for you to choose from.

Ocenaudio is a free audio editor that allows you to record, edit and analyze audio on several platforms such as Windows, macOS and Linux. It offers an easy way to capture and edit audio files. It is based on the Ocen Framework to simplify and standardize audio manipulation development.

If you want to create a new variation of a particular track, edit the sound or remove noise from some old music track, you can rely on Ocenaudio. As an audio recorder, it allows you to clearly record any sound playing on your computer. For sound editing, it allows you to copy and paste snippets of sound as well as apply effects and filters.

With support for VST, Virtual Studio Technology Plug-ins, you can easily apply many effects to your audio file. Moreover, it provides a real-time preview for sound editing, EQ effect checks, and configuration settings.

Ocenaudio Effects

Ocenaudio is designed with a concise interface that makes it easy to record and edit audio. It also comes with an advanced memory management module. You can easily copy, cut, save or paste processes. As a free audio editor, Ocenaudio has no restrictions on audio length, file size or quantity. You are free to edit one or more audio files for complex editing operations.

Pros of

• Free and available for Windows, macOS and Linux.
• Intuitive user interface with basic audio editing and recording features.
• Edit multiple files without wasting a lot of memory on your computer.
• No restrictions on audio file size, length, format and quality.
• Support VST plugins to apply various effects to your audio file.
• Preview audio editing and applying effects in real time.
• Open your audio file and save it in popular formats.

Cons

• Crashes or hangs when performing or placing larger tasks.
• Unable to edit multitrack audio.
• Does not support commonly used formats such as MP4 and MPEG.
• Destructive and does not allow you to have a duplicate file.
• Lack of features such as audio saving for audio recording.
• Does not support recording audio from the system sound card.

The post Ocenaudio – the best audio editor for you appeared first on Tas-EMany.

Using the program Nero WaveEditor you can edit audio files in real time without distortion. Thanks to the internal help information of the audio format the editing history is saved so you can go back to a previous state.

Also in Nero WaveEditor there are various effects (chorus, delay, edge, artificial echo), numerous tools (stereo processor, equalizer, noise input), sophisticated enhancement algorithms (band extrapolation, noise reduction, decicker), and various filters and tools in Nero WaveEditor to help you edit your files.

Runs on Microsoft Windows XP, Vista, 7, 8, 8.1 and 10 operating systems.

Pros:

• Built-in karaoke filter
• Supports WAV, MP3, WMA, DSP, PCM, ADPCM, U-LAW, GSM61, PCM, A-LAW formats
• Does not change the sound quality

Cons:

• Some users note slow performance
• No multi-track mode

The post Nero WaveEditor appeared first on Tas-EMany.

What can FL Studio 20 do?

• Audio editing includes pitch correction, pitch shifting, harmonization, time stretching, beat detection and cutting, audio deformation, and the standard set of manipulations (cut, paste, and so on).
• Automation of most of the interface and all plug-in parameters for recording, drawing automated spline-based curves, automated generators with computable reference control.
• Work with DAW plug-ins as you would with VST or connect via ReWire.
• Work during live events in real time, including video effects.
• Consolidate and rewrite audio, including real-time audio effects such as delays, reverbs and filters.
• Multi-track audio recording up to the limits of the audio interface inputs.
• Recording and playback of MIDI signals from keyboards, drum pads and controllers.
• Sequencing and arrangement, both pattern and line process.
• Support for synthesizer and VST effect plug-ins 32&64 bit, DX and FL Native formats.

Sequence

Compose and record your music and ideas in the most logical way possible. Pattern or track sequencing. You choose which way to record your music and ideas makes the most sense. The FL Studio 20 sequencer lets you work with both patterns and tracks. You can either reuse elements (patterns) you’ve already recorded, or record the entire song from start to finish.

Mixing and mastering

The mixer has the highest precision, controllability and flexibility. Each mixer track can support up to 10 effects (in VST or proprietary FL formats). To create additional sub-tracks or track chains, each mixer track can be routed to another channel or to a Master track. Sends allow tracks to be sent for processing by third-party plug-ins. Finally, each of the mixer tracks can be routed to any output of your audio interface – now possible too!

Lifetime Free Upgrades

There may not be such a thing as a free lunch, but there are definitely “Lifetime Free Updates,” which are spelled out in the Image Line update rules:

“No need to re-pay for bug fixes! All users who have purchased FL Studio 20 are entitled to “Lifetime Free Updates” by regular download. Free updates apply to all FL Studio product level updates already purchased (Express, Fruity, Producer or Signature Bundle). For example, FL Studio 20 owners will be able to get an upgrade to the full-featured new version, and for free, of course.”

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